In seismology, the goal is to propagate a broadband impulse into the subsurface, and measure the reflected wavetrain that returns from the series of rock boundaries. A question that concerns the seismic experiment (see Migration) is: What sample rate should I choose to adequately capture the information from all the sinusoids that comprise the waveform? Sampling is the capturing of discrete data points from the continuous analog signal — a necessary step in recording digital data. Oversample it, using too high a sample rate, and you might run out of disk space. Undersample it and your recording will suffer from aliasing.
What is aliasing?
Alaising is a phenomenon observed when the sample interval is not sufficiently brief to capture the higher range of frequencies in a signal. In order to avoid aliasing, each constituent frequency has to be sampled at least two times per wavelength. So the term Nyquist frequency is defined as half of the sampling frequency of a digital recording system. Nyquist has to be higher than all of the frequencies in the observed signal to allow perfect reconstruction of the signal from the samples.
Above Nyquist, the signal frequencies are not sampled twice per wavelength, and will experience a folding about Nyquist to low frequencies. So not obeying Nyquist gives a double blow, not only does it fail to record all the frequencies, the frequencies that you leave out actually destroy part of the frequencies you do record. Can you see this happening in the seismic reflection trace shown here? You may need to traverse back and forth between the time domain and frequency domain representation of this signal.
Seismic data is usually acquired with either a 4 millisecond sample interval (250 Hz sample rate) if you are offshore, or 2 millisecond sample interval (500 Hz) if you are on land. A recording system with a 250 Hz sample rate has a Nyquist frequency of 125 Hz. So information coming in above 150 Hz will wrap around or fold to 100 Hz, and so on.
It's important to note that the sampling rate of the recording system has nothing to do the native frequencies being observed. It turns out that most seismic acquisition systems are safe with Nyquist at 125 Hz, because seismic sources such as Vibroseis and dynamite don't send high frequencies very far; the earth filters and attenuates them out before they arrive at the receiver.
Aliasing can happen in space, as well as in time. When the pixels in this image are larger than half the width of the bricks, we see these beautiful curved artifacts. In this case, the aliasing patterns are created by the very subtle perspective warping of the curved bricks across a regularly sampled grid of pixels. It creates a powerful illusion, a wonderful distortion of reality. The observations were not sampled at a high enough rate to adequately capture the nature of reality. Watch for this kind of thing on seismic records and sections. Spatial aliasing.
You may also have seen this dizzying illusion of an accelerating wheel that suddenly appears to change direction after it rotates faster than the sample rate of the video frames captured. The classic example is the wagon whel effect in old Western movies.
Aliasing is just one phenomenon to worry about when transmitting and processing geophysical signals. After-the-fact tricks like anti-aliasing filters are sometimes employed, but if you really care about recovering all the information that the earth is spitting out at you, you probably need to oversample. At least two times for the shortest wavelengths.