Desperately in need of comfort following her broken engagement, Alex travels with Kara back to her hometown of Midvale. While there, Kara recalls the incident from their childhood which turned two strangers into sisters.
Even in a small-town high-school, it's unlikely that Kara and Alex would be in the same history class, given the two-year gap in their relative ages.
With long-lingering shots, the direction gives away the identity of the killer long before the audience has a chance to deduce it based on the clues offered.
Izabela Vidovic and Olivia Nikkanen do a phenomenal job as the younger versions of Kara and Alex.
It's a brief thing, but David Harewood gets a good quick moment of silent acting looking very broken up after he changes back to his Hank Henshaw form after talking to Kara as "Noel Neill". It really hits you in that moment how seriously, even back then, J'onn took his promise to look after Jeremiah Danvers' children. It's especially touching given that "Noel" said she couldn't imagine what it was like to lose your whole world in the same way Kara did when J'onn doesn't have to imagine it yet can't give Kara any comfort beyond a sympathetic ear.
The episode title - Midvale - comes from the city where Alex and Kara grew up in The DCTVU.
In the DC Comics Universe, Midvale is a small suburb just outside of Metropolis. In the Silver Age, Midvale was the town Kara Zor-El settled in upon her arrival on Earth, where she lived in the Midvale Orphanage until she was adopted by The Danvers. Most of the Supergirl movie was set in Midvale as well, where Kara Zor-El attended the Midvale Boarding School.
The building used for the exterior shots of Midvale High in this episode - Templeton Secondary School in Vancouver - was also used to depict Smallville High on the series Smallville and is currently used to depict Riverdale High on the show Riverdale.
Mention is made of Lex Luthor being brought to justice by Superman for selling something called "Lexosuits.". In the classic comics, the power armor which Lex Luthor constructed in order to fight Superman physically was often called a Lexosuit as a play on exo-suit, which is used to refer to any form of powered exo-skeleton.
Mention is made of Superman wearing red underwear over his tights in this episode - a detail his costume lacked when we saw him during Supergirl's second season. This is, of course, a classic detail of Superman's original costume, mirroring the modesty garments worn by the circus strongmen Superman's classic costume was modeled on in the 1930s. The New 52 redesign of Superman's costume lost these trunks, opting instead for simple blue pants.
Kara's first friend as a teenager, Kenny Li, may be a double nod to the original Superman comics. In the comics, before being adopted by The Danvers family, Kara Zor-El used the alias "Linda Lee" while living at the Midvale Orphanage. Kenny Braveman was the name of a boy born on the same day that the rocket carrying baby Kal-El to Earth landed in Smallville. Kenny and Clark would become friends at a young age, rivals in high-school and Kenny would eventually become the villain Conduit in his efforts to prove himself Clark's better.
The sequence in which Kara jumps through the forests of Midvale seems to have been inspired by a similar sequence in the film adaptation of the book Twilight.
Kara makes reference to Clark having a friend named Chloe who loves weird tech stuff and has a "wall of weird". This is a nod to Chloe Sullivan - a character from the TV series Smallville.
The FBI agent who tries to scare Kara straight regarding using her powers gives her name as Noel Neill. This is the name of the actress who played Lois Lane in the 1948 Republic Superman serials and the 1952 television series Adventures of Superman. As a double-play on the reference, she is played by actress Erica Durance, who played Lois Lane on Smallville.
Kenny Li developed Galileo - a computer program that took images from his telescope and capture it as digital photographs on his laptop.
Eliza: This is the mom fine print - when your child is in agony, you show up regardless the hour.
Kara: And I'm feeling a lot better. I promise.
Eliza: You don't have to be better. You're allowed to be a mess.
Kara: But too many people depend on me.
Eliza: That is a great excuse.
Kara; Do you want to talk about it? It might help.
Alex: (sighs) You don't get to do that.
Alex: You don't get to shut down - what - for six months after Mon-El goes? And then, now, sit here, and you tell me to talk.
Kara: It will get better.
Alex: Yeah? Are you better?
Young Kara: I remember my parents! I remember Krypton! I remember being alone in that pod and not knowing if I was going to see anyone ever again! And then I landed here! And no one asked me if I wanted these powers. But I have them! And all I want to do is help people with what I've been given and no one will let me!
Sheriff Collins: You're real brave. Not even screaming. Not that anyone can hear you.
Young Alex: Someone's listening right now.
J'onn loans his spaceship/vintage car - last seen in 304 - to Alex and Kara for their trip.
Kara and Alex shared a room as teenagers.
Alex was in AP Math during her senior year.
Kryptonian children study calculus at the age of four.
Kara found math and science easy in school. She found history pointless.
Superman first brought Lex Luthor to justice sometime ten years earlier, because of Lex selling something called Lexosuits.
Alex was part of the cool crowd and hung out with the high-school quarterback.
Kara only had one friend in high-school - a nerdy kid named Kenny Li.
Kenny secretly tutored Alex in calculus.
Kenny stumbled across multiple crimes using his Galileo program. These included the quarterback smoking pot, a student (Josie, Alex's best friend) having an affair with a teacher (Mr. Bernard) and the Midvale sheriff (Sheriff Collins) taking bribes.
J'onn visited a young Kara in the guise of FBI Agent Noel Neill, modeling her on the appearance of Kara's mother.
Clark's friend, Chloe, helps Kara with getting the pictures off of Kenny's laptop.
Kara and Alex were given Kenny's telescope as a gift from Kenny's parents for finding his killer. It still is set up on the balcony at Eliza Danver's house.
Alex was outcast from the popular crowd after outing Josie's affair with a teacher and the quarterback's pot-smoking.
Kara discovered after the fact that Kenny had taken a picture of her flying but never shown it to anyone.
The town of Midvale, ten years earlier.
Much better than most flash-back episodes and easily the best episode of Supergirl's third season. The actors playing young Alex and Kara are perfectly cast, truly looking and acting like younger versions of Chyler Leigh and Melissa Benoist. The actual mystery at the heart of the episode is blindingly obvious but the acting more than makes up for it.


This quiz corresponds with the seventh list on my "No Excuse Vocabulary List." The quiz has two sections. The first section matches word to definition. The second section asks students to complete the sentence with the correct vocabulary word.


In the Netherlands, freelancers or self-employed professionals and their contractors need to know how their business relationship will be assessed by the Dutch Tax and Customs Administration. Is there an employer-employee relationship or not? This is an important question with regard to tax liability. Employers only have to pay payroll taxes for their employees, but not for hired freelancers/self-employed professionals under certain conditions. Until 2016 a freelancer/self-employed professional could provide their clients with a Declaration of Independent Contractor Status (Verklaring Arbeidsrelatie, VAR) as sufficient proof that there was no employment relationship.
In 2016 the VAR was replaced by model agreements, which were introduced under the 2016 Employment Relationships (Deregulation) Act (Wet deregulering beoordeling arbeidsrelaties, DBA). As long as the business relationship between a contractor and a freelancer/self-employed professional is based on a such an agreement, contractors are exempt from paying payroll taxes for this professional for this specific contract.
The Dutch government intends to replace the current Employment Relations Deregulation Act (DBA) as of 1 January 2020. Until then, its enforcement has been suspended. If you are a contractor who hires freelancers, this means that until 1 January 2020, the Dutch Tax and Customs Administration will not impose corrective fines or taxes with retroactive effect when it deems that there is in fact an employer-employee relationship at play.
However, penalties will be enforced where the Tax and Customs Administration establishes malicious intent with regard to fictitious self-employment or (obvious or deliberate) bogus self-employment constructions. Until 1 July 2018, this only occured in severe cases and from 1 July 2018 in all other cases.
General model agreementsExternal link (in Dutch): these model agreements cover most business relationships which do not involve employment.
Sector or profession-specific model agreementsExternal link (in Dutch): these agreements are meant for everyone working according to certain sectoral or professional standards or conditions.
Individual model agreementsExternal link (in Dutch): these agreements have been drawn up by a specific sector of profession, anyone working in the same sector or profession may use them.
If you do not want to use one of these model agreements, you and your client can always draw up one yourselves and have it assessed by the Dutch Tax and Customs Administration.
It is not mandatory for freelancers/self-employed professionals and their clients to work according to a model agreement. If they do not, the client is obliged to assess whether an employment relationship exists and therefore payroll taxes should be withheld.
When a freelancer/self-employed professional and their client choose the so-called opting-in scheme, the client is responsible for withholding and paying payroll tax and social insurance contributions for that specific contract. If so, they must notify the Dutch Tax and Customs Administration in a joint statementExternal link (in Dutch) prior to the start of the actual work.


Produce a summary of the issues involved with the water problems in Flint, Michigan.
This is a question based eassy. Answer the questions and provide the references. Single space and at least 2 pages.
You may use the interner and library!
Homework and rewrites of test questions will be graded primarily based on the scientific and analytical content of the work. This includes an adequate use of citations to appropriate literature, use of appropriate analytical tools including proper introduction and explanation of equations and calculations used to consider the problems, a concise discussion of the conclusions of the work. Below the basic formats expected and some guidelines for layout of assignments are outlined.
References: Appropriate references are typically considered to stem from juried (reviewed) literature. This means that the work should have been reviewed and published in scientific or engineering journals. Citing textbooks is allowed when documenting well known techniques and or solutions to specific mathematical problems. In general, it is not appropriate to quote a text book when the object is to refer to a specific piece of work in the juried literature. Instead it the original work should be cited. A text may be cited when it provides an overview of an entire field. The discussion should still quote the individual works that are pertinent to the discussion in the homework. A final note on textbooks is that they are usually out of date, therefore the newest juried literature is the place to start on homework.
When providing a reader with a reference list a good “rule of thumb” is to quote the most up to date references on the topic, a few of the major contributions on the issues, and the original work on the problem. Be explicit in discussing the role of each of the works cited in framing the conclusions in your paper. This is very important in documenting what you have added to our understanding of the problem with your own analysis. In other words carefully documenting what you have added.
Citations should appear in the text. While modern word processing has made it easy to use footnotes, you should use the authors’ names and the date for their work in the text. Single authors should appear as Smith (2001) if you are discussing the work outright in the sentence. If the citation is just to provide a source for further research by the reader, the citation usually appears at the end of the discussion as (Smith, 2001). In general, in scientific papers page numbers are not given in the text. For two authors, both are provided, i.e. Smith and Jones (2008). For three or more authors make use of the Latin et al., i.e. Jones et al. (2010). Again these should be worked into the narrative when you are actually discussing a work or placed in parenthesis if you are just supplying references for the reader to go to for further information.


The following article is an excerpt from The Cape Odyssey 103: featuring Woodstock, Cape Town’s Earliest Suburb. Permissions has gratefully been given by Gabriel Athiros from Historical Media.
In the heart of the industrial area, at the corner of Treaty and Spring Streets off Albert Road in Woodstock, is a small patch of ground with an old gnarled milkwood tree. This is no ordinary milkwood – it is a historical monument.
A thatched cottage, built in the seventeenth century, stood nearby the site where the tree still remains. The cottage, according to local legend, belonged to a Hollander, Pieter van Papendorp, who owned the land between the Castle and Salt River. Woodstock, as we all know, was once known as Papendorp, named after Pieter van Papendorp.
On 10 January 1806 a treaty was signed by: Lt.Col. Baron von Prophalow, commander of local fortifications, transferring the property of the Batavian Government to the commanders of the British Forces, Major General Sir David Baird and Commodore Sir Home Popham. The thatched cottage, where the treaty was signed, became known as Treaty House. This followed the Battle of Blaauwberg on 8 January 1806 and was the start of the second British occupation of the Cape.
The old Treaty House with rafted ceiling, stone-flagged floor and vine trained over the stoep was the place where the thirsty British troops formed up after the Battle of Blaauwberg.
The nearby milkwood tree, miraculously preserved, goes back to the early days at the Cape when it was known as the ‘Old Slave Tree’. In 1510 forty-five of d’Almeida’s Portuguese sailors were massacred by the Khoi near the tree.
At the end of the 19th century there still lived in Woodstock a lady, Rachel Bester, who had seen the slave dealers proclaiming the qualities of their human goods under that tree. It is alleged that slaves were hanged from the huge branches during Rachel’s childhood.
The tree has now been securely fenced in to save it from the fate of another aged tree, which was chopped up for firewood in recent years. Fortunately milkwoods are not good firewood. Sadly in 1935 Treaty House was demolished to make space for a factory.
During 2006, MAD World Advertising purchased the adjacent property and started the process of beautifying the precinct. Fortuitously, in 2013, MAD World obtained custodianship of the park itself and have carefully landscaped and fenced the area.
The Cape Odyssey 103 featuring Woodstock, Cape Town’s earliest suburb can be bought from Blank Books in Woodstock and select other stores. For more information on local historical publications, visit the Historical Media website.


Then SO(2,4) corresponds to conformal compactification of the Minkowski space. Via the isomorphism SO(2,4)~SU(2,2) this is related with Penrose's twistor theory.
So how do we get from SO(2,4) to quantionic quantum mechanics? Last time we were after obtaining a unique element which would play the role of sqrt(-1). That element turns out to be a bivector \(e_i \wedge e_j\) where \(e_i\) is from the 2 part of SO(2,4), and \(e_j\) is from the 4 part of SO(2,4). Then we want to find out all the elements of SO(2,4) which commute with this.
Skipping the lengthy derivation, one arises at a complex linear Minkowski space where the four-vectors are no longer real numbers, but complex numbers. Here we follow again the amazing book of Grgin.
We need to arrive at an associative algebra which describes the new quantum mechanics number system. We need to have associativity because quantum systems can be combined in an associative manner using the tensor product. We also need to recover the usual complex number formulation of quantum mechanics in the appropriate non-relativistic limit. Is there a linear functional \(\Omega\) which takes a complex Minkowski 4-vector into a complex number? If so, this would seem to violate the spirit of relativity. However, in the C* algebraic formulation of quantum mechanics any C* algebra can be made unital and \(\Omega\) turns out to be the unit of the new quantum mechanics number system. Physically this corresponds to specifying he direction of time at each Minkowski space-time point. A distinguished direction of time seem to contradict relativity but in the end it will all work out nicely when we'll add the interpretation of the inner product, so please have patience on this.
Next time we'll see how to arrive at the matrix formulation and SL(2,C). We'll also see that the above decomposition is related to the CPT theorem. Please stay tuned.


What’s the best thing to wear on your hands when sea kayaking in very cold weather?
What product or combination of products best protects your hands while kayaking in winter? I’m interested in a system which provides comfort for extended paddling but also the peripheral activities including possible self or assisted rescues, in water temperatures close to freezing and air temperatures down to perhaps 14F / -10C. Assume for the sake of this question that appropriate safety precautions are taken.
The best answer I’ve come up with so far is to combine neoprene paddling gloves such as those sold by NRS with an additional pair of waterproof or semi-waterproof mitten shells designed to be worn over gloves / mittens. This has kept my fingers completely comfortable in air temperatures well below freezing while paddling through rivers or bays where ice is forming on the shores. I was able to grip the paddle well and could briefly remove the mitten shells while leaving the gloves on to adjust helmet strap attach sprayskirt etc. I found this system better than neoprene mittens which constricted finger spreading and cramped my hands after hours of paddling. I have not attempted whitewater-style pogies (a sort of palmless neoprene mitten that attaches to the paddle and allow excellent paddle grip) in weather that cold.
Update: Another answer suggests pogies (see below). I should clarify that I have not experimented much with them because I prefer a Greenland paddle and like to do some strokes where I move my hands around to different parts of the paddle. Pogies may be a great solution for people with a different paddle and/or technique. Also the particular paddle I use has a shape, wood grain, and varnish that affords excellent grip so I don’t experience hand fatigue even with overmitts, this may be a very real issue with other paddles, which pogies may help avoid.
I haven't been paddling much for several years, but I used to go all winter with simple fleece gloves inside waterproof dishwashing rubber gloves. I tried a half dozen other alternatives, including wetsuit gloves, other waterproof gloves, pogies, etc. Fleece insulation and waterproof outside worked best, and was also very inexpensive.
Sometimes known as paddle mitts, pogies are your friends here, you can choose to wear gloves in them as well or not, depending on how cold it's got, but most importantly they allow you full contact with the paddle and hence you don't get the extra fatigue caused by a reduced level of paddle control.
Pogies range from a simple nylon shell that keeps the wind and water off through chillcheater aquatherm and neoprene all the way to full waterproof fleece lined with cuffs you can tighten (with your teeth) to stop water running in from the top.
There's a pogie for every event. They're also available for rowers, windsurfers, cyclists, motorcyclists and even pushchairs!
Not the answer you're looking for? Browse other questions tagged winter sea kayaks paddling or ask your own question.
How to maximise the chances of survival when stranded in open sea?
What's that stinging feeling when I swim in the sea?


I've explored food and gender in Japan from just about every possible angle in the last 5 blog posts.
In Part 1, I looked at some examples of gender-divided food marketing in Japan and posed some questions for the rest of the blog series. Why did the Whopper Junior become womanly when it came to Japan? The transformation tells us about the extent to which Japanese people find it natural to market food based on gender. In Part 2, I summarized research that showed Japanese college students perceived meat as masculine and women's diets as dainty. Burger King already had a kid's meal, so who else could the Whopper Junior be for?
In Part 2, I also looked at the social origins of food stereotypes, and how presenting, serving, and eating food is one of the many ways we perform gender.
In Part 3, I explored how changes in the consumption of sweet food by Japanese men reflect changes in masculinities, as well as how sexuality is described with food terms in the case of "herbivore men." I also looked at how, due to the globalization of Japanese popular culture, anime fans outside of Japan are picking up on the ways food cues are used to express gender in Japan.
In Part 4, I examined the relatively gender-neutral marketing of beer in Japan and considered how these advertisements, when compared to American beer ads, might be viewed as feminine by American consumers.
Finally, in Part 5 I looked at the commodification of women through food advertising, with AKB48 as a case study.
"So," you say, "Shaun, this has all been very interesting, but what does all this stuff going on in Japan have to do with America? And you said your class was about the globalization of Japanese popular culture. What does this have to do with globalization?"
The answer to "What does this have to do with globalization?" is that all of the things I've written about are already being globalized. Japanese food, particularly sushi, is popular throughout America, and so are Japanese pop culture forms like anime and manga. Anime and manga bring with them Japanese ideas of both gender and food, because characters also perform gender while they're eating. AKB48, too, is finding an American audience - apparently they performed at California's Anime Expo in 2010. It might not be long before we start seeing AKB48 food in the US, in which case we'll have to really dig deep and examine what it is about this uniformed all-girl pop band that whets our appetites.
And when it comes to marketing methods and economic issues, America finds itself in a position to look to Japan as a model, as The New York Times' Eamonn Fingleton suggests in The Myth of Japan's Failure. Our modern histories are intertwined, and our economic situations are similar. Using Japan as a model, or a mirror, we can begin to understand America. Looking at the ways gender is constructed differently in Japan and the US when it comes to food and eating, we can better understand how arbitrary and how diverse gender can be.


What are the positive and negative aspects of being a writer?
Great question. I think the ups and downs that writers face are the same that those in other creative industries face. Sometimes I have to take work that might not be creatively fulfilling, but that pays really well. Sometimes I come across clients that don't fit my mission and I have to let them go or turn them down. Sometimes (read: often) I pitch my work to publications and editors and they turn me down. Rejection, choices, monetization—these are things every freelancer and business owner has to take into account and deal with on a regular basis. Writers are no different.
Other times, I get to write about things that matter—topics that make my heart sing. And more often than not, I get to work with some really amazing people. I've built incredible relationships (and friendships!) through my creative work and there's no way to quantify how my life has benefited from getting to know such wonderful humans.
Do you think it's important for a content writer to live in a major city in order to acquire business?
Yes and no. Thanks to the internet, I have been able to work remotely with teams spread out across the country (and sometimes the world!). However, there is no denying that being in close proximity to the action is a benefit to creatives. In my experience, even small towns have a creative scene. You just have to be prepared to find it. And if you can't find it, you have to be prepared to help build it. There are so many ways to be a writer or content creator at this moment in time. We all have dreams of writing for large print publications, but there are opportunities everywhere.
Where do you find most of your freelance gigs? Are there particular online sources you look to for writing opportunities?
Most of my freelance jobs to date have actually come from researching a publication, reaching out to editors and pitching story ideas. It's never just about a gig—it's about building relationships. My advice is always to find a publication or outlet you'd like to write for, read it (this is key!), generate a few ideas and reach out to the powers that be. You may get rejected (I get rejected a lot), but there's always a chance that you'll get a "yes."
Also, follow writers, magazines and editors on social media. Twitter is a great place to learn about new publications and opportunities and Instagram is a great way to connect with people who have a penchant for more visual communication methods.
How have you cultivated and grown your writing skills and voice since graduating college?
Consistency is the key. I write a lot. I write for myself (I journal a lot), my readers (the blog) and for others (here and other places). Because so much of my work is for a specific audience, I tend to write to that audience. This means that sometimes I have to work extra hard to keep my writing voice out of the picture. One of the things I offer clients is that ability to write as someone else. I ghostwrite often and, when I worked in marketing and PR, I rarely wrote in my own voice. I think that's a valuable talent to have, but it's important to still cultivate your own voice in some way. The best way to do that is to keep writing for yourself—whether that's a private journaling practice or a blog—just keep writing.
As a writer do you see any major trends occurring in the field?
I think the biggest issue at the moment is getting compensated for your work. Online content is almost always free for the reader, so there has to be a way for publishers to 1.) figure out how they're going to monetize and become a sustainable business; and 2.) compensate those who create said content.
Absolutely. Every time I write a blog post that offers valuable content and post it to this site, I'm working for free. Up until recently, my podcast had been completely self-funded. Every time a listener downloaded a new episode, I had essentially worked my tail off to create that content—for free. I hope to continue turning the show into a revenue generator but, my main focus is to continuously create quality interviews and share cool stories.
I've also offered up content to other online publications for free while I was transitioning from marketing to content creation and editorial work. I don't think there's anything wrong with building up a portfolio with free or trade work when you're first starting out. I have also alined myself with publications that may not pay a great deal of money, but that offer other sorts of leverage (read: relationships, exposure and other opportunities to grow my business). I think there always comes a time, however, when writers (and most other creatives, for that matter) need to stop working for free. The catch is that you, and only you, can decided when that time comes.
Didn't you launch a start-up once?
Almost! It never actually launched for various reasons. You can read more about that story here.
How did you end up writing for ________________?
That's it. I look, listen, research and ask. I should reiterate: you will receive plenty of rejection by following these steps. That, in my mind, is simply part of the process. Sometimes what I think is appropriate for a magazine or online publication may not be what the editors have in mind. An answer of "thanks, but no thanks" simply gives me more information to go on the next time I pitch the publication.
I launched Creating Your Own Path in February of 2014 for a few reasons. Prior to starting the show, I had been interviewing creatives on my blog—I'd send over questions and they would send back their answers. While that was an amazing way to get to know some really cool people and share their stories, it didn't quite tick all the boxes when it came to true connectivity. So, launching the podcast was a way to reach out and chat with people in person or via Skype. I wanted to make it more of a conversation and audio seemed to be a great way to do just that.
I was also lonely working for myself from home. Writing isn't exactly a group sport and most of what I do is pretty solitary. While I consider myself to be fairly introverted and definitely don't need to hop from event to event, the podcast is a great excuse to reach out to people I admire and ask them the questions I (and others) have about their work.
Last, but certainly not least, the podcast is a platform for sharing stories. Talking with people who work in various creative fields to help share their stories with those who might need to hear them is incredibly rewarding.
I want to start a podcast. Will you help me?
I do offer one-on-one consulting and would be happy to dedicate a session to podcasting. I've also written about podcasting here. Hopefully you'll find what you need to get started!
I'm a graphic designer/writer/editor/producer/etc. Are you hiring?
I started my college career at American River College in Sacramento, California. Sacramento's junior college system is stellar and, quite frankly, I had no clue where I wanted to focus my studies after high school. I originally set out for a degree in psychology, but quickly realized that wasn't the right path for me. I felt both invigorated and challenged in my writing and literature classes and decided to shift my focus in that direction. I transferred to California State University, Sacramento and graduated in 2005 with a degree in English and a minor in business administration.
After college, I landed a great job in the marketing department of the Downtown Sacramento Partnership where I was often expected to use graphic design software. While I learned quite a bit on the job, I was also able to take some graphic design courses at Sacramento City College (another amazing junior college here in Sacramento).
Since then, I've taken several online courses to help benefit my role as a creative business owner. Some have directly helped my bottom line and others have been more focused on stretching myself creatively. I think both are important.
I've compiled a large amount of stories, resources and opportunities to leverage a college education after diplomas are handed out in a multimedia e-book.
You've mentioned that you were born with a disability. How has that affected your life?
Well, that's a pretty big question! Being born with a malformed right arm has made me who I am today. With the help of prosthetics, I've been able to do just about everything I could want to do. That said, there are always a few extra challenges here and there. I recently shared a bit more about this part of my story over on Yes and Yes with Sarah Von Bargen!
Where did you adopt your dogs?
I'm so glad you asked! I always check Pet Harbor for adoptable dogs in our area. While I tend to opt for puppies I can train ourselves, there are a ton of adult dogs available for adoption around the world as well.
Did I miss anything? Feel free to contact me here and I'll do my best to add your question to the list!